Progressive Metal And The Emptiness That Was Dream Theater Left

on Monday, March 5, 2012
Ever since Dream Theater disbanded, yes disbanded, because the band no longer exists, I've been looking for some new, fresh, innovative progressive metal.

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I've been listening to the regulars:

Animals as Leaders
Citriniti
Andromeda
Counter - World Experience
Scale The Summit
Kong

And the oldies but goodies from Buckethead to Transatlantic from  Behold...The Arctopus to Redemption (currently the best metal band playing right now imo).

But I'm longing for more.  Dream Theater leaves a big, gaping hole.  They had such an ennormous sound that any one or three bands can't fill it back up again.

Do you have any suggestions?

Maybe This Will Help You Understand Massachusetts

on Thursday, March 1, 2012
This is Massachusetts General Law Section 32L:

Notwithstanding any general or special law to the contrary, possession of one ounce or less of marihuana shall only be a civil offense, subjecting an offender who is eighteen years of age or older to a civil penalty of one hundred dollars and forfeiture of the marihuana, but not to any other form of criminal or civil punishment or disqualification. An offender under the age of eighteen shall be subject to the same forfeiture and civil penalty provisions, provided he or she completes a drug awareness program which meets the criteria set forth in Section 32M of this Chapter. The parents or legal guardian of any offender under the age of eighteen shall be notified in accordance with Section 32N of this Chapter of the offense and the availability of a drug awareness program and community service option. If an offender under the age of eighteen fails within one year of the offense to complete both a drug awareness program and the required community service, the civil penalty may be increased pursuant to Section 32N of this Chapter to one thousand dollars and the offender and his or her parents shall be jointly and severally liable to pay that amount. 
That basically means you can walk around with an ounce of weed:


in your possession and an officer of the law will simply write you a ticket for a civil infraction.  Basically,  a parking ticket that has zero effect on your life.

Recently, I was pulled over by an officer of the law for "failure to yield".  When he looked at my license he told me it had expired.  "Damn," I thought, "You're right.  My birthday was 4 days ago and I just had a newborn.  It must have slipped my mind".  I told him I will renew it online as soon as I get to work.

Expecting him to tell me to "get it done".  He, instead, told me to get out of the car.  I was 0.5 miles from my job, it was 4:50am (I wake up at 4am to drive an hour to work every day), I wasn't speeding and I have a perfect driving record. 

Wondering what I did, I saw another cruiser arrive.  From what I've seen on COPS, that usually means trouble.  He told me he couldn't let me drive the vehicle away...because I "technically don't have a license".  He asked, "What happens if I let you drive away and you get into an accident?".  I guess if that big bag of dope was in my passenger seat he would have felt more comfortable letting me drive away.  I was very friendly and respectful but asked him if he was serious...and what was I to do with the car.  Apparently, officers of the law are always serious every moment of their waking lives because that seemed to have angered him - severely.

He told me a tow truck was on its way and I can pick it up, unless I can get someone to come drive it, he suggested my wife. I reminded him my wife just had a baby...and is (50 minutes away) at home sleeping with said 2 week old.  He said that wasn't his problem either, and was there someone at work I could call.  I told him there wasn't, I basically open the doors to the place, it's a big engineering company and I'm one of the first of 400 people to arrive.  He told me, again, that it wasn't his problem and I had "5 minutes to find someone or the car's gone".

Out of desperation, I called the front desk, because we have a security guard.  I introduced myself  and asked him if he would come get me 0.5 miles down the road.  He did and he was able to drive the car to my job, where I renewed my license online.

I was given a ticket to appear in court for "Driving without a license".  I was placed on one year's probation.

Is it my fault? Yes.

Is this backwards? Absofuckinglutely.

Ben And Jerry's Loses A Customer

on Wednesday, February 29, 2012
Over at Mediate they're discussing Ben And Jerry's recent announcment of their $2,000,000 grants they plan to give away to the Occupy Wall Street loons.

Goes to show, that if you scream loud enough and have enough of a tantrum...people just give you want you want: Generation Cupcake and the adults that both spawned it and are now too deep in it to discipline them...so they do what they've always done: give them more money. They buy them the toy they're screaming about in the toy store aisle. They give them the car keys because they yelled long enough.  Accountability, self-reliance, hard work and ethics.  All things baby-boomers never bothered instilling in their children so we have a generation of this:





I for one have purchased my last Ben and Jerry's product.

Liss' Black Panther Failboat

on Sunday, February 26, 2012
"END" being the operative word.
Seems like Marvel (@Marvel) needed to get their minority characters in full view so they hijacked one of the most revered titles ever and gave it to likes of Liss, who did nothing but write arc after arc of 'Angry White Man'.  With Black Panther 529, we see David Liss' (@David_Liss) reckless joyride come to a close.

I've never seen characters more misused and misunderstood by a writer.  Ever.

People were relentlessly backbiting 'Franken-Castle', but underneath the story the character's foundation remained the same: A "monster" focused on one thing and one thing only, revenge against whomever he feels has wronged him. In fact, one can argue that the 'Franken-Caslte' ultimately put the Punisher right where he most of the MU viewed him...a freak.

Back to the sorry BP: It started out nicely enough, I was giving it high marks and praising it publicly. Very smooth penciling and layouts gave the book the "new" feel it was going after...but it quickly started to go downhill - all due to David Liss' simple and prohibitive writing combined with an arrant misunderstanding of the characters he was writing about: Fisk talking like a 90 year old Asian man? Did they use the word "Shall" enough? What does Liss have against contractions?  I remember that trick from high school, don't use contractions and your word count goes up, very sophomoric.

On the other side of this coin was the incredible work of Mark Waid (@MarkWaid) and Co. on 'Daredevil' in what is being considered one of the best new books of 2011-2012.  Off the heels of Shadowland, which divided the DD community (to my bewilderment. Detractors of the "event" were disappointed with the device, or machine, used to explain Daredevil's change in behavior: "possesion"...yet they seem at ease with underused characters like BP being used as did Liss).  Find me a DD fan that doesn't like the new Matt Murdock. Dare ya.

Marvel needed to re-invigorate the fan base and Waid did so, with adroitness, creativity, invention and originality...all the things a writer wants coming coming off his or her pages - well, unless one were speaking with David Liss.  Some writers simply have an agenda and need to push it, regardless of that upon which they trample.

The DD Waid and Co. have may have refashioned but he stayed true to himself, is rediscovered and is renewed.  Bring him back into the regular numbering and let's get back to the titles we love.  The Panther as who he truly is, Fisk as he truly is and this new, dynamic DD.  Comic readers need to realize it isn't what's on the "outside" of a character, or his or her setting; it's whether or not the character is being true to the characters base and foundation.  The Punisher was exactly that in 'Franken-Castle'.

Liss' run is and will remain, an utter failure...only purchased by those that don't want a gaping hole in their DD collections. As a Hollywood slurping Marvel likely refuses to still see, tokenism doesn't sit well, even with their ever adoring, ultra-liberal base. Ask them for the truth of 'Ultimate Spider-Man sales'.  It's dismal.

I stray, the point is characters were used as placeholders to serve Liss' 'Angry White Man' agenda and not a single character (from Fisk to Falcon [reduced to nothing but a "flier"] to Lady Bullseye) was used correctly.  I saw none of their distinguishing characteristics in any of their appearances.  They were blank, faceless "fists".  Liss simply needed a team for the finale, and Affirmative Action came into play.

For one, I'm glad to see this over. It was painful, and I had to choke it up when buying each issue and I feel used.  Yes, no one put a gun to my head to buy it...but when a reader has nearly all 600 issues of a title, they aren't going to leave that above mentioned gaping hole in their run...and Marvel knows this.

So, in closing I hope Marvel filled their quota, I hope Liss got all his white-guilt out of his system (doubt it, it's an endless well for the Left) and we won't see a road once walked by the likes of Stan Lee, Frank Miller, Ed Brubaker and Gerry Conway sullied and littered with the filthy remains of someone like Liss again.

Around The World!! I Mean Blogs.

on Sunday, February 19, 2012


New Remains Discovered Near Where 10 Bodies Found On Long Island

Blackuary 19, 1942 - The Lynching 

Interested-Participant 

Obama Uses The Constitution The Same Way 

Quote du jour 

You do the math.. 

Dextrorotatory LinkyDoodles 

Reagan and Clinton Viewed as Outstanding Recent Presidents By Americans 

Music break: I Can't Give You Anything But Love 

Aryan Nations: A history of hate and violence 


PJ Media thinks conservatives and the GOP has a "problem with sex"... 

Lady Michelle Sells Her Body for $5,000 a Pop 

Here From The Trenches In Battleground Ohio 

Weekend Cartoon... 

Snowboarding Brothers, better than marauding muslims 


State of the Industry 02-15-2012

on Wednesday, February 15, 2012

Comic Books are an amazing medium. They have such versatility and subtlety when done right. The creators (writers, artists, inkers, etc.) have a virtually unlimited pallet with which to mold and shape their story. Comparisons between movies and comic are made all the time due to the nature of visual storytelling. Hell storyboards are essentially long form comics where all the panels are the same shape and size. However, comics are not movies. Even though a great number of films are based off of comics. I hear you saying ‘It can’t be that many.’ Listen really hard and you’ll hear me laughing manically. There are more than you think and some you would never suspect. But that is a topic for another day.

            In the movie biz it is common of for somebody to have a great idea and start to work with others to bring said idea to fruition. That’s how it works in comics as well. Wondering where I’m going with this? Good. Stick around and you’ll understand. In the movie biz it is likewise not unheard of for someone to completely screw another involved party (like a co-creator) out of a decent (or any) share of the profits when it comes time to strike deals with studios. This is where comics are drastically different. As an industry comic creators are a pretty tight group. They look out for one another and communicate with one another unlike any other community of creative individuals in the world. Like I said drastically different from Hollywood....until now.


The only Walking Dead trade worth reading
#PayTonyMoore
            I’m sure that you’ve all heard of ‘The Walking Dead’, but if you’ve been living in a cave in the bottom of Mariana Trench allow me to elucidate. The Walking Dead started life as a black and white comic book written by Robert Kirkman, with artwork by Tony Moore. It was FANTASTIC… for 6 issues. Then Moore left the book and a new artist was brought in. I don’t know why Moore left the book, and I also don’t understand why Kirkman brought in an artist with such a drastically different style to replace Moore, but that’s what happened. I also can’t speak to bait and switch tactics on Kirkman’s part or if he just wanted to have the issues cranked out as fast as possible; don’t know, and honestly don’t care. No offense to Charlie Adlard but my eyes would SCREAM in agony every time I looked at the book from issue 7 on. Now the book is nearing issue 100 and is also a major TV show on AMC garnering much praise and making money hand over fist.
        I hear you saying ‘Yay, a comic book becomes an awesome TV that people love and the creators are being well paid for their creation. What’s the problem?’ Well firstly Robert Kirkman is being well paid for his and Tony Moore’s creation. Moore however is getting completely shafted when it comes to a share of the profits from the TV show. Kirkman apparently refuses to give Moore his due as far as a share of the profits. So Moore has now taken the only recourse he has and filed suit against Kirman to get the money that he is rightfully owed. Also Kirkman’s lawyers are apparently going to go after Moore for $17k for court costs. You can do an Internet search to find out the particulars of the case; meanwhile I have more pressing concerns. #PayTonyMoore

Marvel Spotlight #5
#GaryGhostRider

            This whole Kirkman vs. Moore thing is part a disturbing trend I have noticed in the comics industry lately; creators getting screwed out of their creations. Another example of this is Gary Friedrich vs. Marvel. This whole situation breaks my heart (YES, I actually do have a heart!). Gary created Ghost Rider way back in 1968 in the pages of Marvel Spotlight #5. Gary went on to write and draw many stories with his character for Marvel. Gary is now in his 60’s. He is trying to make ends meet by selling his own artwork of Ghost Rider at conventions and online. In 2007 Gary filed suit against Marvel, Columbia Pictures, Hasbro and other companies claiming that the rights to the character had reverted back to him in 2001 due to Marvel not registering the first appearance in Spotlight #5 with the Copyright office. Marvel counter sued in 2010 and on Feb 6thof this year the court found in favor of Marvel and enforced Marvel’s demand for Friedrich to pay $17,000 in damages (this is what they claim he has made from the sale of his unauthorized merch). Also Friedrich cannot call himself Ghost Rider’s creator for monetary gain, nor can he sell ANYTHING with GR’s image on it (doesn’t matter if it’s a piece of original artwork or not), and can only sell autographs on officially Marvel licensed GR merchandise. I order to help Gary in this difficult time Steve Niles has started a donation drive. Please check out the page (http://www.steveniles.com/gary.html), spread the word and donate if you can. #GaryGhostRider
 
            Now I can understand that Marvel wants to protect it’s IP (Intellectual Property; for those wondering) but for fuck sake Marvel, $17,000 from a guy that is barely making ends meet as it is? ‘Cause you know, you don’t have a new Ghost Rider movie coming out THIS FUCKING WEEKEND that is sure to make more than $17K on it’s opening night alone! I suppose that this is what is to be expected now that HIMLER mouse has control. But the sale of original artwork at conventions and online is what makes me worried. A huge part of conventions is artist alley where you can get an original sketch (made just for you) by a talented artist of any character you’d like. Not only do you go home with a piece of artwork that NOBODY else has, but you’re also helping to supplement the income of said artist.

            However if this new decree by Marvel takes precedent then that wonderful part of EVERY convention goes they way of the dodo. This makes me doubly sad because I am and have always been a Marvel Zombie. But now that Disney owns Marvel, I’m torn straight down the middle. I want to continue to enjoy my books and the characters within, but I don’t want to support a company has no sense of honor and decency. I don’t want to see the comics industry become soulless and empty. As fans we need to speak out against garbage like this and let companies know that we will not allow them to ruin the sense of community that this industry was built upon.

Here are some links to check out that pertain to the topics I discussed in this post:









@RobertKirkman of #TheWalkingDead Fame Needs To #PayTonyMoore

on Tuesday, February 14, 2012
That's right.  #PayTonyMoore

Glenn Hauman over at comicmix.com does a great job breaking down the fundamentals of what people need to be paying attention to concerning The Walking Dead.  Here is his article in its entirety...and the final two points sum it up perfectly.

All this does it make me think of Gary Friedrich and how Marvel screwed the living shit out of him over Ghost Rider.  And that was "just business".  Tony Moore and Robert Kirkman supposed to be lifelong friends from the schoolyard.

I guess the fat kid is getting his revenge.
With The Walking Dead returning to AMC tonight, there could be an even bigger threat to the series as we know it: Original artist Tony Moore, co-creator with Robert Kirkman on the first six issues of the series, has filed suit against his onetime partner accusing him of promissory fraud, breach of written contract and other charges.

Moore claims that Kirkman persuaded him to assign his rights on Walking Dead and other properties to a limited liability corporation controlled by Kirkman, who allegedly hasn’t shared any royalty or other payments for Walking Dead or any of the other works.
Moore asserts that in September 2005 he and Kirkman entered into the agreement which assigned Moore 60% of comic publishing net proceeds for The Walking Dead and another title Brit, 20% of all motion picture net proceeds for Walking Dead and Brit and 50% of all motion picture net proceeds in connection with another title Battle Pope. Moore says in the suit he was reluctant to enter into the agreement. But he claims Kirkman informed him that if he didn’t assign his rights as specified it would kill the “large television deal on the table” and no one would receive any money. Kirkman allegedly promised to pay Moore royalties and provide regular, accurate accountings. Moore claims that Kirkman has never paid any royalties or provided an accounting of profit or loss.
Moore seeks damages in association with his purported share of any money Kirkman has already received plus his any share of any money outstanding. He’s asking for a court order for Kirkman to provide complete and timely accounting as well as payment of accrued interest and court costs. You can read the lawsuit here.
Let’s unpack this a bit:

1. If, as a comic creator, you ever felt screwed over by an Image Comics deal before, you now have yet another reason to feel so. If you ever considered bringing your comic to Image, you now have to wonder if you can trust the partners to give you a fair accounting.

2. If Moore is correct that no monies have been paid under the contract, then the entire contract can be declared null and void, which means that Moore would then have a claim on both the comic series and, more crucially, the television series– and since the TV series would then have been made without his permission, he can extract a tremendous amount of money from the production company.

And remember– just like zombies, it takes a lot to kill a lawsuit.
What have you got as a man in this world if you don't have your word? What have you got as a man in this world if to a lifelong friend your word mean shit? Nothing but a bunch of paper you can't take with ya.

Let's just say...I'll be treating Kirkman's intellectual property with the same kind of respect he's treating his supposed friend's intellectual property.
Pirate.