Ben And Jerry's Loses A Customer

on Wednesday, February 29, 2012
Over at Mediate they're discussing Ben And Jerry's recent announcment of their $2,000,000 grants they plan to give away to the Occupy Wall Street loons.

Goes to show, that if you scream loud enough and have enough of a tantrum...people just give you want you want: Generation Cupcake and the adults that both spawned it and are now too deep in it to discipline them...so they do what they've always done: give them more money. They buy them the toy they're screaming about in the toy store aisle. They give them the car keys because they yelled long enough.  Accountability, self-reliance, hard work and ethics.  All things baby-boomers never bothered instilling in their children so we have a generation of this:





I for one have purchased my last Ben and Jerry's product.

Liss' Black Panther Failboat

on Sunday, February 26, 2012
"END" being the operative word.
Seems like Marvel (@Marvel) needed to get their minority characters in full view so they hijacked one of the most revered titles ever and gave it to likes of Liss, who did nothing but write arc after arc of 'Angry White Man'.  With Black Panther 529, we see David Liss' (@David_Liss) reckless joyride come to a close.

I've never seen characters more misused and misunderstood by a writer.  Ever.

People were relentlessly backbiting 'Franken-Castle', but underneath the story the character's foundation remained the same: A "monster" focused on one thing and one thing only, revenge against whomever he feels has wronged him. In fact, one can argue that the 'Franken-Caslte' ultimately put the Punisher right where he most of the MU viewed him...a freak.

Back to the sorry BP: It started out nicely enough, I was giving it high marks and praising it publicly. Very smooth penciling and layouts gave the book the "new" feel it was going after...but it quickly started to go downhill - all due to David Liss' simple and prohibitive writing combined with an arrant misunderstanding of the characters he was writing about: Fisk talking like a 90 year old Asian man? Did they use the word "Shall" enough? What does Liss have against contractions?  I remember that trick from high school, don't use contractions and your word count goes up, very sophomoric.

On the other side of this coin was the incredible work of Mark Waid (@MarkWaid) and Co. on 'Daredevil' in what is being considered one of the best new books of 2011-2012.  Off the heels of Shadowland, which divided the DD community (to my bewilderment. Detractors of the "event" were disappointed with the device, or machine, used to explain Daredevil's change in behavior: "possesion"...yet they seem at ease with underused characters like BP being used as did Liss).  Find me a DD fan that doesn't like the new Matt Murdock. Dare ya.

Marvel needed to re-invigorate the fan base and Waid did so, with adroitness, creativity, invention and originality...all the things a writer wants coming coming off his or her pages - well, unless one were speaking with David Liss.  Some writers simply have an agenda and need to push it, regardless of that upon which they trample.

The DD Waid and Co. have may have refashioned but he stayed true to himself, is rediscovered and is renewed.  Bring him back into the regular numbering and let's get back to the titles we love.  The Panther as who he truly is, Fisk as he truly is and this new, dynamic DD.  Comic readers need to realize it isn't what's on the "outside" of a character, or his or her setting; it's whether or not the character is being true to the characters base and foundation.  The Punisher was exactly that in 'Franken-Castle'.

Liss' run is and will remain, an utter failure...only purchased by those that don't want a gaping hole in their DD collections. As a Hollywood slurping Marvel likely refuses to still see, tokenism doesn't sit well, even with their ever adoring, ultra-liberal base. Ask them for the truth of 'Ultimate Spider-Man sales'.  It's dismal.

I stray, the point is characters were used as placeholders to serve Liss' 'Angry White Man' agenda and not a single character (from Fisk to Falcon [reduced to nothing but a "flier"] to Lady Bullseye) was used correctly.  I saw none of their distinguishing characteristics in any of their appearances.  They were blank, faceless "fists".  Liss simply needed a team for the finale, and Affirmative Action came into play.

For one, I'm glad to see this over. It was painful, and I had to choke it up when buying each issue and I feel used.  Yes, no one put a gun to my head to buy it...but when a reader has nearly all 600 issues of a title, they aren't going to leave that above mentioned gaping hole in their run...and Marvel knows this.

So, in closing I hope Marvel filled their quota, I hope Liss got all his white-guilt out of his system (doubt it, it's an endless well for the Left) and we won't see a road once walked by the likes of Stan Lee, Frank Miller, Ed Brubaker and Gerry Conway sullied and littered with the filthy remains of someone like Liss again.

Around The World!! I Mean Blogs.

on Sunday, February 19, 2012


New Remains Discovered Near Where 10 Bodies Found On Long Island

Blackuary 19, 1942 - The Lynching 

Interested-Participant 

Obama Uses The Constitution The Same Way 

Quote du jour 

You do the math.. 

Dextrorotatory LinkyDoodles 

Reagan and Clinton Viewed as Outstanding Recent Presidents By Americans 

Music break: I Can't Give You Anything But Love 

Aryan Nations: A history of hate and violence 


PJ Media thinks conservatives and the GOP has a "problem with sex"... 

Lady Michelle Sells Her Body for $5,000 a Pop 

Here From The Trenches In Battleground Ohio 

Weekend Cartoon... 

Snowboarding Brothers, better than marauding muslims 


State of the Industry 02-15-2012

on Wednesday, February 15, 2012

Comic Books are an amazing medium. They have such versatility and subtlety when done right. The creators (writers, artists, inkers, etc.) have a virtually unlimited pallet with which to mold and shape their story. Comparisons between movies and comic are made all the time due to the nature of visual storytelling. Hell storyboards are essentially long form comics where all the panels are the same shape and size. However, comics are not movies. Even though a great number of films are based off of comics. I hear you saying ‘It can’t be that many.’ Listen really hard and you’ll hear me laughing manically. There are more than you think and some you would never suspect. But that is a topic for another day.

            In the movie biz it is common of for somebody to have a great idea and start to work with others to bring said idea to fruition. That’s how it works in comics as well. Wondering where I’m going with this? Good. Stick around and you’ll understand. In the movie biz it is likewise not unheard of for someone to completely screw another involved party (like a co-creator) out of a decent (or any) share of the profits when it comes time to strike deals with studios. This is where comics are drastically different. As an industry comic creators are a pretty tight group. They look out for one another and communicate with one another unlike any other community of creative individuals in the world. Like I said drastically different from Hollywood....until now.


The only Walking Dead trade worth reading
#PayTonyMoore
            I’m sure that you’ve all heard of ‘The Walking Dead’, but if you’ve been living in a cave in the bottom of Mariana Trench allow me to elucidate. The Walking Dead started life as a black and white comic book written by Robert Kirkman, with artwork by Tony Moore. It was FANTASTIC… for 6 issues. Then Moore left the book and a new artist was brought in. I don’t know why Moore left the book, and I also don’t understand why Kirkman brought in an artist with such a drastically different style to replace Moore, but that’s what happened. I also can’t speak to bait and switch tactics on Kirkman’s part or if he just wanted to have the issues cranked out as fast as possible; don’t know, and honestly don’t care. No offense to Charlie Adlard but my eyes would SCREAM in agony every time I looked at the book from issue 7 on. Now the book is nearing issue 100 and is also a major TV show on AMC garnering much praise and making money hand over fist.
        I hear you saying ‘Yay, a comic book becomes an awesome TV that people love and the creators are being well paid for their creation. What’s the problem?’ Well firstly Robert Kirkman is being well paid for his and Tony Moore’s creation. Moore however is getting completely shafted when it comes to a share of the profits from the TV show. Kirkman apparently refuses to give Moore his due as far as a share of the profits. So Moore has now taken the only recourse he has and filed suit against Kirman to get the money that he is rightfully owed. Also Kirkman’s lawyers are apparently going to go after Moore for $17k for court costs. You can do an Internet search to find out the particulars of the case; meanwhile I have more pressing concerns. #PayTonyMoore

Marvel Spotlight #5
#GaryGhostRider

            This whole Kirkman vs. Moore thing is part a disturbing trend I have noticed in the comics industry lately; creators getting screwed out of their creations. Another example of this is Gary Friedrich vs. Marvel. This whole situation breaks my heart (YES, I actually do have a heart!). Gary created Ghost Rider way back in 1968 in the pages of Marvel Spotlight #5. Gary went on to write and draw many stories with his character for Marvel. Gary is now in his 60’s. He is trying to make ends meet by selling his own artwork of Ghost Rider at conventions and online. In 2007 Gary filed suit against Marvel, Columbia Pictures, Hasbro and other companies claiming that the rights to the character had reverted back to him in 2001 due to Marvel not registering the first appearance in Spotlight #5 with the Copyright office. Marvel counter sued in 2010 and on Feb 6thof this year the court found in favor of Marvel and enforced Marvel’s demand for Friedrich to pay $17,000 in damages (this is what they claim he has made from the sale of his unauthorized merch). Also Friedrich cannot call himself Ghost Rider’s creator for monetary gain, nor can he sell ANYTHING with GR’s image on it (doesn’t matter if it’s a piece of original artwork or not), and can only sell autographs on officially Marvel licensed GR merchandise. I order to help Gary in this difficult time Steve Niles has started a donation drive. Please check out the page (http://www.steveniles.com/gary.html), spread the word and donate if you can. #GaryGhostRider
 
            Now I can understand that Marvel wants to protect it’s IP (Intellectual Property; for those wondering) but for fuck sake Marvel, $17,000 from a guy that is barely making ends meet as it is? ‘Cause you know, you don’t have a new Ghost Rider movie coming out THIS FUCKING WEEKEND that is sure to make more than $17K on it’s opening night alone! I suppose that this is what is to be expected now that HIMLER mouse has control. But the sale of original artwork at conventions and online is what makes me worried. A huge part of conventions is artist alley where you can get an original sketch (made just for you) by a talented artist of any character you’d like. Not only do you go home with a piece of artwork that NOBODY else has, but you’re also helping to supplement the income of said artist.

            However if this new decree by Marvel takes precedent then that wonderful part of EVERY convention goes they way of the dodo. This makes me doubly sad because I am and have always been a Marvel Zombie. But now that Disney owns Marvel, I’m torn straight down the middle. I want to continue to enjoy my books and the characters within, but I don’t want to support a company has no sense of honor and decency. I don’t want to see the comics industry become soulless and empty. As fans we need to speak out against garbage like this and let companies know that we will not allow them to ruin the sense of community that this industry was built upon.

Here are some links to check out that pertain to the topics I discussed in this post:









@RobertKirkman of #TheWalkingDead Fame Needs To #PayTonyMoore

on Tuesday, February 14, 2012
That's right.  #PayTonyMoore

Glenn Hauman over at comicmix.com does a great job breaking down the fundamentals of what people need to be paying attention to concerning The Walking Dead.  Here is his article in its entirety...and the final two points sum it up perfectly.

All this does it make me think of Gary Friedrich and how Marvel screwed the living shit out of him over Ghost Rider.  And that was "just business".  Tony Moore and Robert Kirkman supposed to be lifelong friends from the schoolyard.

I guess the fat kid is getting his revenge.
With The Walking Dead returning to AMC tonight, there could be an even bigger threat to the series as we know it: Original artist Tony Moore, co-creator with Robert Kirkman on the first six issues of the series, has filed suit against his onetime partner accusing him of promissory fraud, breach of written contract and other charges.

Moore claims that Kirkman persuaded him to assign his rights on Walking Dead and other properties to a limited liability corporation controlled by Kirkman, who allegedly hasn’t shared any royalty or other payments for Walking Dead or any of the other works.
Moore asserts that in September 2005 he and Kirkman entered into the agreement which assigned Moore 60% of comic publishing net proceeds for The Walking Dead and another title Brit, 20% of all motion picture net proceeds for Walking Dead and Brit and 50% of all motion picture net proceeds in connection with another title Battle Pope. Moore says in the suit he was reluctant to enter into the agreement. But he claims Kirkman informed him that if he didn’t assign his rights as specified it would kill the “large television deal on the table” and no one would receive any money. Kirkman allegedly promised to pay Moore royalties and provide regular, accurate accountings. Moore claims that Kirkman has never paid any royalties or provided an accounting of profit or loss.
Moore seeks damages in association with his purported share of any money Kirkman has already received plus his any share of any money outstanding. He’s asking for a court order for Kirkman to provide complete and timely accounting as well as payment of accrued interest and court costs. You can read the lawsuit here.
Let’s unpack this a bit:

1. If, as a comic creator, you ever felt screwed over by an Image Comics deal before, you now have yet another reason to feel so. If you ever considered bringing your comic to Image, you now have to wonder if you can trust the partners to give you a fair accounting.

2. If Moore is correct that no monies have been paid under the contract, then the entire contract can be declared null and void, which means that Moore would then have a claim on both the comic series and, more crucially, the television series– and since the TV series would then have been made without his permission, he can extract a tremendous amount of money from the production company.

And remember– just like zombies, it takes a lot to kill a lawsuit.
What have you got as a man in this world if you don't have your word? What have you got as a man in this world if to a lifelong friend your word mean shit? Nothing but a bunch of paper you can't take with ya.

Let's just say...I'll be treating Kirkman's intellectual property with the same kind of respect he's treating his supposed friend's intellectual property.
Pirate.

The Inspiration Of Good Authors

Vince Flynn
I'm drawn to conservative fiction and non-fiction writers like Michael Connelly,, Tom Wolfe, Tom Clancy etc.

I decided to start reading Vince Flynn - given all the hype and die-hard fanaticism I've been hearing about the guy.  So I picked up Kill Shot the other day, because that's the one all over the radio lately.

Once I started doing some research, I saw he's written a large amount of books based around this CIA spook, Mitch Rapp.  Much as Clancy wrote Jack Ryan featured books as developed his character.  The first Mitch Rapp book is Rapp's chronological life is "Transfer of Power" followed by The Third Option and then thirdly, Separation of Power.  Then followed by 7-10 more.

Act Of Treason, #7 Chronologically

Here's a short section of his bio from IMDB.com:
Flynn soon created an idea for a book, which would grow into his first best-seller, "Term Limits". Pocket Books seized the opportunity to work with this truly talented storyteller. Realizing that Flynn also had an enormous potential with a national audience, Pocket Books published Term Limits in hardcover 1998. Reviewers instantly hailed Flynn's non-stop action and storytelling as outpacing genre leaders David Baldacci and Tom Clancy. Readers agreed, and when the mass market paperback of Term Limits was released in 1999, it spent several weeks on The New York Times bestseller list. Pocket Books followed this initial success with Flynn's 1999 hardcover, "Transfer of Power", which also garnered wonderful reviews, and when it was released a few months later in mass market paperback, it too spent several weeks on The New York Times bestseller list. In the fall of 2000, "The Third Option" was published and instantly landed on The New York Times bestseller list as well, solidifying Flynn's reputation as a master of the political thriller.
You know how people say, "I couldn't put the book down"?  Well, I mean it.  I couldn't put Transfer of Power down. I read it in two sittings. Once before bed, and then as soon as I woke up - straight through lunch and done.


Incredible book.  I can't recommend it enough and I'm only just more excited to read the rest of this guy's stuff.  He is as spot on as it gets.  He sees the big picture and articulates it incredibly, unlike anyone else I've heard in a long, long time.

Please pick up a book from him...(it would be nice if you used a link above, I might get a nickel for it)...but you owe it to yourself.  You know you're not along when you read this guy.

Some interviews with The Man:



This one is about an hour long, but worth every minute.  I envision Vince in politics, though I'm sure politics sicken him - it's probably simply wishful thinking on my part.

Robert Kirkman Appears To Be An Asshole

on Saturday, February 11, 2012
#PayTonyMoore

Firstly, Robert Kirkman, along with artist Tony Moore, created The Walking Dead. A wildly successful comic book that is approaching it's 100th issue...a milestone in comics - especially a "creator owned" comic published by Image Comics as opposed to a Marvel or DC title.  Image used to have a bit of a reputation for not getting books on shelves in a timely manner...but I think they've improved and I love their books.

I digress...

For someone that has many times espoused his support for the Occupy Wall Street camping trips, Robert Kirkman sure doesn't walk the walk.

Secondly, the comic became so popular you've probably seen:
The first item on that list, the television show, is what's upsetting me.  It's extremely popular - and rightly so.  It's fast paced and the characters from the comic book are very nicely represented by fine actors.

When the comic book initially started, an artist named Tony Moore was drawing for the book.  Moore is Kirkman's childhood friend with whom he went to grade school and just so happens to be an incredible artist:


Tony Moore drew the first 6 issues of The Walking Dead.  That may not seem like much, but considering a large majority of new comics get canceled somewhere between issues 5 and 10, he basically laid the foundation and created these characters.

After Moore, came along Charlie Adlard:


Personally, I can't draw a straight line with a ruler.  I can't even trace something from one piece of paper to the next.  So this is all just my opinion.

The Walking Dead is absolutely rolling in the dough right now, and good for them. Make that buck in this world and go do you.  But don't do it while your friends are underneath your steam-roller.

However, Tony Moore is suing Kirkman over royalties he claims were never paid to him.  According to The Hollywood Reporter Moore believes he is due 60% of The Walking Dead's "comic publishing net proceeds" along with 20% of the "motion picture net proceeds".  Sounds 'bout right to me.

Kirkman's now infamous quote about how the tactics he uses to reel artists in for his work: "Trickery and deceit" may come back to bite him.  It is my opinion Moore created these characters.  Proverbially the writer tosses a ball in the air and the artist hits it with his pencil.

Kirkman ain't starving.
Given that we know comics hardly make it to ten issues, never mind 100 (The Walking Dead is currently at issue #93 and shows no signs of slowing down...(well, other than what some people [myself included] perceive to be major decompression at play because the book now sells better at the Trade Paperback level than it does at the single issue level).

Is it fair to think that Kirkman used a kickass artist like Moore to get people hooked on the comic?  Knowing full well most fans don't pick up black and white books, he'd obviously want someone that could make fans look past that, and look at the awesome, gory details of each scene and character and then swap them out so he can start cranking out the fluff?

By the way, the first issue of The Walking Dead sold out instantly...the first 20 issues or so are impossible to find and issue 1 could put your kid through college.

So, Kirkman establishes this great book, "Hey look how amazing the art is! Look how well written the story is!"...people buy it up and he makes a fortune.  Then, to speed things up a bit, Kirkman could go ahead and hire someone like Adlard who, in my opinion, is not nearly as good as Moore in this title.  The detail is lacking, there are two colors: black and white (where Moore used shades of black, grey, white and was wonderful with lighting and shadowing).

Look at the backgrounds of the Moore pictures above...the environment is rich with background settings and extra details.  Adlard seems to draw everything in a white room.  Please goggle the two artists for more comparisons.
Moore's "Rick" on the left, Adlard's on the right.
Another that people began to notice as soon as Adlard took over...Kirkman started having characters address each other by name because, some folks think, they all look, well, indistinguishable.

Again, this is no knock on Adlard...though I'm sure it's coming out that way.

This is more of a fuck you to Kirkman, who is going to be counter-suing Moore for $17,000 is lawyer fees.  Says Kirkman's lawyer:
...Mr. Moore’s contract has an attorneys’ fees clause in it so we will be going after him to collect attorneys’ fees.
Are you kidding me?  Like I said at the onset, it seems Mr. Occupy Wall Street  doesn't like it in his backyard.  He's also the first to preach about intellectual property, how stealing comic books is wrong (he's right by the way)...but it goes both ways Kirkman...those character designs are Mr. Moore's intellectual property.

So, with all that being said: If Robert Kirkman counter-sues Tony Moore for anything, specifically his lawyer fees (nevermind actually paying Mr. Moore for what he's owed),  The Walking Dead (and any other Kirkman book) will not see my money.  Another telling bit of info about all of this, maybe it's just me overanalyzing but: you know the old saying about a how the guilty prisoner falls asleep in the jail cell, while the innocent guy is climbing up the walls in panic?  Well, listen to all the noise and vitriol coming from the Kirkman camp...and compare that to what's coming from Moore and his lawyers: calm silence.  Kirkman and his lawyers have called Mr. Moore and this lawsuit every name in the book..."frivolous", "ridiculous", "absurd" etc.  Gee, Robby, trying to sway public opinion much?

I believe in certain principles and I live by them, I don't simply preach them.

Apparently, Mr. Kirkman just preaches them.

In the meantime, go read the new Batman title drawn by Tony Moore, it's incredible.